By David L. Bomgardner
The Roman amphitheatre was once a domain either one of bloody wrestle and marvellous spectacle, symbolic of the may perhaps of Empire; to appreciate the significance of the amphitheatre is to appreciate a key aspect within the social and political lifetime of the Roman ruling classes.Generously illustrated with 141 plans and images, the tale of the Roman Amphitheatre bargains a finished photograph of the origins, improvement, and eventual decline of the commonest and evocative of Roman monuments.With an in depth exam of the Colosseum, in addition to case reports of important websites from Italy, Gaul, Spain and Roman North Africa, the ebook is an interesting gazetteer for the overall reader in addition to a beneficial software for college students and lecturers.
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Additional info for The Story of the Roman Amphitheatre
The foundations The foundations for this monument were staggering. Recent estimates place the amount of earth removed to excavate them at 30,000 tonnes. Enormous amounts of concrete and cut stone were then laid down to stabilise the upper structures. The Italian engineer Giuseppe Cozzo has studied the construction of this monument and revealed that it too followed simple building principles. The entire ediﬁce was built around a network of massive, solid travertine piers to carry its prodigious weight.
These two locations (at the ends of the arena’s short axis) were the best seats to occupy in order to see and be seen – both functions extremely important in this, the principal amphitheatre of the Roman empire. As part of his programme of social reform legislation, the emperor Augustus rigidly segregated the seating arrangements in the theatres of Rome by social classes. 9 Senators10 and specially honoured foreign guests sat in the orchestra of Roman theatres on special ivory seats (subsellia).
5 Ground plan of lower levels of the Colosseum and cross-sections of the monument. Source: Golvin, Planche XXXVII. -Cl. Golvin. 6 Architectural plan of the Colosseum, Rome. Source: Golvin, Planche XXXVI. -Cl. Golvin. is the media cavea. Augustus even went so far as to subdivide this section into further block reservations, for example married men, soldiers, minors and their tutors (paedagogi ) in adjacent blocks of seats. These subdivisions corresponded to the natural horizontal subdivision of the seating into wedges (cunei ) made by the radially-aligned steps running from top to bottom of each vertical zone of seating.
The Story of the Roman Amphitheatre by David L. Bomgardner