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Download PDF by Barbara Sellers-Young Jade Rosina McCutcheon: Embodied Consciousness: Performance Technologies

By Barbara Sellers-Young Jade Rosina McCutcheon

ISBN-10: 1137320052

ISBN-13: 9781137320056

ISBN-10: 1349457612

ISBN-13: 9781349457618

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Extra info for Embodied Consciousness: Performance Technologies

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One of their conclusions is that for subjective awareness a specific pattern of neuronal activation has to synchronize with other neuronal oscillation, that is, they propose that a match is sought out between one pattern and another pattern. The match gives rise to a unified whole (an object, emotion, a scene, a thought) of which we are aware. One major finding is that intensity of stimulation influences subjective experience of awareness and increases neural activity (Rees, 2007). The louder the sound, the stronger the touch, the more colourful the image, the more dramatic the scene, the sharper the contrasts and edges, the stronger the odour, the more aware we become.

Actor training is predicated on a balance between analytical understanding of the concepts of theory and experiential understanding of those concepts in practice. This parallel understanding then must be synthesized into an analytical and experiential understanding of a character, a somatically derived and experienced character. In order to orchestrate somatic information while in performance, the condition of the character is, in effect, ‘conduited’ through the actor (Carlin-Metz, 2002, pp. 116–23).

The actor’s ability to cultivate memory, engage empathy and manifest emotion. 31 32 The Neuroscience of Performance Pedagogy 2. The facility with which the actor is able to release the habitual body. 3. The actor’s ability to ‘read’ one’s own body. The fact that these features will vary from actor to actor based on his or her existential perspective, the sum total of which constitutes the conscious self, is probably the most intriguing and frustrating factor relevant to the ability of actor-trainers to achieve with their actors integration of the discrete foci of actor training (voice/speech, movement and text analysis) and ensure continuity from the studio to rehearsal and performance and from performance to performance.

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Embodied Consciousness: Performance Technologies by Barbara Sellers-Young Jade Rosina McCutcheon


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