By Marie Ponsot
Depart it to the sleek Marie Ponsot, now in her past due eighties, to view her lifestyles in poetry as easeful. As she tells us, brooding about what stones can listen, "Between silence and sound / we're balancing darkness, / making mild of it." during this celebratory assortment, Ponsot makes mild, in either senses, of all she touches, and her excitement in providing those past due poems is infectious. After greater than a part century at her craft, she describes her poetic personal tastes unpretentiously therefore: "no fruity words, simply unspun / phrases trued correct towards a pleasant / thought, for chaser. True's a possibility. / Take it I say. Do real for fun."
Ponsot is accepting of what has come, even if it's a joyous reminiscence of her second-grade instructor in a brand new York public college or the sensation of being "Orphaned Old," much less fortunate in lifestyles due to the fact her mom and dad died. She holds herself to the top common: to determine basically, to imagine, to deal openhandedly and openheartedly with the realm, to "Go to a marriage / as to a funeral: / bury the loss" and in addition to "Go to a funeral / as to a marriage: / marry the loss." She confides that she meets works of serious paintings "expectant and thirsty."
Indeed, Ponsot's thirst for all times and its top expression, for the sprightly word and the deeper figuring out operating underneath, makes this e-book a transformative adventure. The knowledge and song of simple, like several of Ponsot's poetry, will stay along with her readers for many years to return.
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Extra resources for Easy: Poems
His books affect me (and, incidentally, so does the man whom I know cas ually) in such a manner that when I have found one of his beautiful pages I am always afraid of the next, which may upset everything again and turn what is attractive into something unworthy. ”— And in fact artistic experience lies so incredibly close to that of sex, to its pain and its ecstasy, that the two manifesta tions are indeed but different forms of one and the same yearning and delight And if instead of heat R ic h a r d D e h m 30 el: one might say—sex, sex in the great, broad, clean sense, free of any insinuation of ecclesiastical error, then his art would be very grand and infinitely im portant.
But leaming-time is always a long, secluded time, and so loving^ for a long while ahead and far o d into life, is—solitude, intensified and deepened loneness for him who loves. ), it is a high inducement to the individual to ripen, to become something in him self, to become world, to become world for him self for another’s sake, it is a great exacting claim upon him, something that chooses him out and calls him to vast things. Only in this sense, as the task of working at themselves ( “to hearken and to hammer day and night” ), might young people use the love that is given them.
Works of art are of an infinite loneliness and with nothing so little to be reached as with criticism. Only love can grasp and hold and be just toward them. Consider yourself and your feeling right every time with regard to every such argumenta tion, discus? ion or introduction; if you are wrong after all, the natural growth of your inner life will lead you slowly and with time to other insights. Leave to your opinions their own quiet undis turbed development, which, like all progress, must come from deep within and cannot be pressed or hurried by anything.
Easy: Poems by Marie Ponsot