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Download e-book for kindle: Desire in Language: A Semiotic Approach to Literature and by KRISTEVA

By KRISTEVA

ISBN-10: 0231048068

ISBN-13: 9780231048064

This examine proposes and checks theories regarding first the foundation and improvement of the radical, and moment what the writer has outlined as a signifying perform in "poetic language" and pictorial works. She rejects the postulates of Freudian ego psychology, and argues the lifestyles in language of a cut up topic divided among subconscious and wakeful motivations; that's, among physiological approaches and social constraints.

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Extra resources for Desire in Language: A Semiotic Approach to Literature and Art

Sample text

Thus, there is no choice but to struggle eternally against the sun; the "I" is successively the sun and its opponent, language and its rhythm, never one without the other, and poetic formulation will continue as long as the struggle does. The essential point to note is that there would be no struggle but for the sun's agency. Without it, rhythm incapable of formulation, would flow forth, growting, and in the end would dig itself in. vying with the agency of limiting and structuring language does rhythm become a contestant-formulating and transforming.

Saintre's defeat-and the end of the narrative-are due an utterance as and unito this error of vocal for the nondisjunctive function of an utterance. Negation in the novel thus oper at es according to a double modality: alethic (the opposition of contraries is necessary, possible, contingent, or impossible) and deontic (the reunion of contraries is obligatory, permissible, indifferent, or forbidden). The novel becomes possible when the alethic modality of opposition joins with the deontic modality of reunion.

Can contemporary linguistics hear this conception of language of which lakobson's work is the major token? The currently dominant course, generative grammar, surely rests on many of lakobson's approaches, notably phonological, in the study of the linguistic system. Nonetheless, it is hard to see how notions of elision, metaphor, metonymy, and parallelism (cf. his study on biblical and Chinese verse) could fit into the generative apparatus, including generative semantics, except perhaps under the rubric of "additional rules," necessitating a cutoff point in the specific generation of a language.

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Desire in Language: A Semiotic Approach to Literature and Art by KRISTEVA


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