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Paul Wells's Basics Animation: Scriptwriting PDF

By Paul Wells

ISBN-10: 2940373167

ISBN-13: 9782940373161

"The Lion King. lively Away." Wallace and Gromit. "Toy tale 2." What makes those lively videos nice? The tales they inform, and the methods these tales are instructed. Animation can cross the place no different filmmaking can, and nice scriptwriting can take animation the place no different videos have. "Basics Animation: Scriptwriting," the follow-up to the winning identify "The" "Fundamentals of Animation," seems at various techniques to scriptwriting for animation utilizing bright examples from nice lively videos. writer Paul Wells explores the designated characteristics of animation as a sort of artistic expression and explains the alternatives and ways to be had to the scriptwriter, the animator, and the director.

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Extra info for Basics Animation: Scriptwriting

Sample text

The story ladder and story frieze represent ways in which children might begin to develop narratives, normally by using the story structure of establishing a character and/or place, creating a problem for the character, developing the problem, and then seeking out resolution. Trevor’s Huge Adventure demonstrates this and finds a witty resolution, which relates closely to the theme of the story – aspiration and ambition, and its possible consequences. This structure can vary, of course – the children’s sandwich narrative continues to build its problems, but when such visual narrative building is allied to a revelation of a theme, it can prove an important teaching, learning and creative process.

Core Plots ANIMATED FILM SCRIPTS HAVE A GREAT DEAL IN COMMON WITH LIVE ACTION WORK AND USE MANY OF THE SAME APPROACHES THAT CHARACTERISE THE DEVELOPMENT OF LIVE ACTION SCREENPLAYS. This section looks at some of the dynamics of traditional scriptwriting and applies them to animation. While the imagery must convey important narrative information and symbolic associations, it must always be rooted in a particular vision and outlook. For the writer, this is usually initially drawn from personal experience and the knowledge and interests that might duly inform a specific approach.

Suspense is created by how the story might be resolved, but employs aspects of rivalry and forbidden love as the man and woman conduct their ‘starcrossed’ romance. The narrative resists any notion of discovery, leaving the couple’s fates unresolved. Crucially, this kind of incident- or event-led narrative is highly suitable to the animated short form – it is the concentration on the narrative and aesthetic details that constitute the story. The chance encounter between the man and the woman is the inciting incident to an atmospheric noir-like plot, in which the engagement with the audience is effectively about the suggestion of underlying intrigue, threat and passion.

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Basics Animation: Scriptwriting by Paul Wells

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